Guest Author Sarah Hearn, Artist Survival Kit coordinator
Satan's Camero, This music is kind of slutty, Screen print and smoke on panel, 18 in x 18 in, 2010 |
September 29th marked the first ArtistSurvival Kit (ASK) workshop of the season.
This year’s topics were nominated by the ASK committee with much
discussion and input from previous workshop attendees and voted on by OVAC
members in an online Facebook poll. The
topic of creative collaborations was of interest to many OVAC members and the
actual workshop did not disappoint.
The 22 participants heard lectures from local forensic
artist Harvey Pratt who works closely with the Oklahoma State Bureau of
Investigation, and artists Justin Strom and Lenore Thomas who make
collaborative art under the name, Satan’s Camaro. The topics of discussion and
means of collaboration were drastically different and had many in the audience thinking
of different ways they could adopt collaborations into their own practice. The
workshop was co-hosted by the School of Fine Arts at the University of Oklahoma
and was followed with an intimate gallery preview of Satan’s Camaro, Medieval Tehno Show currently on display
through October 21, 2011.
Pratt’s lecture was intense, interesting and graphic. He showed detailed examples of how he works
with victims, witnesses and psychics to create forensic sketches to identity
suspects. He also discussed his role in
working with law enforcement to identify bodies, create age progression
assessments, and ultimately, capture criminals.
His lecture provided great insight on collaborating with a much larger
organization such as the OSBI and suggested the unexpected collaborative nature
of working for the good of those who are no longer living.
After a brief question and answer session, a talk by the
printmaking duo Satan’s Camaro followed.
Strom and Thomas are an eclectic and likable pair. They each discussed
their individual projects prior to collaboration and showed examples of their early
collaborative efforts. Their newer work
has evolved to become complimentary yet cohesive- the fruit of compromise which
has matured over the past 5 years. Strom and Thomas share vital roles in their
practice and manage to make work that is of each of them, yet different. It was truly refreshing to see great work
being made, collaboratively without egos spoiling the fun. More information can be seen on their website
at http://satanscamaro.com/home.html.
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