
The key element in the justification for art cars was the attraction that art cars had for people who were unfamiliar with the world of contemporary art. The ArtCar weekend was particularly designed to reach people whom Liggett refers to as “people of the trades,” who are skilled workers such as mechanics, plumbers, carpenters, and others. These people may work with their hands, but are typically unable to express creativity during their working hours. While this demographic may not frequent museums or galleries, the idea of art, when expressed in the medium of a car, becomes more accessible. The gallery becomes mobile. The event is essentially a parade, which showcases the art cars by driving through downtown Tulsa , lower-income neighborhoods, local schools, and stopping along the way at various points of interest such as the Admiral Twin drive in and Whole Foods. Liggett wrote, “We have seen a much broader audience relate to the art cars than inside Living Arts because the car is so omnipresent in our society.”
According to Liggett, the art car event marries public art with performance art. He cited some of the highlights of the last six years as Ooja, a green, fleshy vehicle with a line of monster-like faces peering from the top, and Sashimi Tabernacle Choir, a blue car covered in animatronic fish, lobsters, and sharks, who dance in coordination with various songs ranging from pop to opera.
The ArtCar weekend has been drawing Tulsans together for six years now, and although it may seem odd to some, it literally brings contemporary art into the streets. ArtCars are a national phenomenon and their presence in Tulsa links our state with what is happening now in the American contemporary art world. The next ArtCar parade will be May 12-15th, 2011. Watch www.LivingArts.org for more information.
Guest Author: Shelby Woods, Intern
Images courtesy of Living Arts:
Top- Oolah
Middle- Sashimi
Bottom: Whirlibird
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